Bach's mastery of rhythm and harmony inventiveness and genius for composition produced some of the richest and most beautiful music of all time. Those qualities are strikingly evident in his early concerti which are among the most recorded and performed works in the Baroque repertoire. This volume reprints complete and unabridged seven complete concerti for solo keyboard and orchestra from th…

/ Piano Et Orchestre

Quiconque lit, écoute plus. Si vous avez un réel sens un sérums de composition, des attaques sur la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. Le nombre de Eulenburg audio + score haute stabilité par format facile à lire et prêt / Piano Et Orchestre

Violin Concerto In G major is considered to be the earliest of Joseph Haydn?s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was firstpublished a century after the Austrian composer?s death in 1909 and was little known before. The concerto is lovely and ingratiating to the ear consisting of 3 movements (Allegro moderato Adagio andAl…

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Co…

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Concerto for Piano and Orchestra C major K. 467 tout le talent de Mozart. Cette partition a été composée pour 2 Pianos 4 Mains. C'est l'éditeur Henle qui a publiée cette oeuvre. / 2 Pianos 4 Mains / Chanson En Séparée

Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instr…

Mozart?s concertos for Violin and Orchestra belong to that elite group of works determining a Violin players abilities; they are elegant and transparent with demanding passage-work. The Concerto In D Major K.2 271a the ?6th? Mozart Violin concerto has come down to us in two separate sources a French set of parts and score copy as well as a Berlin score. The editorial board of the New Mozart Edi…

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethove…

Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Flothuis, Marius;T!Pel, Michael. For Piano Solo, Oboe (2), Horn (2), Strings. Piano Reduction/Vocal Score (paperbound). KV 449. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA5381 90)

Composed by Dmitri Shostakovich (1906-1975). Op. 102. Piano duet book (requires 2 copies for performance) for piano duet (2 pianos, 4 hands). With solo part and piano reduction. F Major. Published by International Music Co.

Edited by Donald Peck. Collection and set of performance parts for flute and piano accompaniment. 153 pages. Published by Carl Fischer.

For Clarinet and Orchestra - Piano Reduction (with Comments in English). By Carl Maria von Weber. Edited by N. Gertsch. This edition: HN732. Clarinet. Henle Music Folios. Pages: Score= VII and 42 * 2 Clar. In B-flat Parts (one by Baermann) = 11 each. Urtext edition (Paper-bound).…

with original Cadanzas by Beethoven - Piano Reduction. By Ludwig van Beethoven. Edited by Hans-Werner Kuthen. Piano reduction by Hans Kann. 2 Pianos, 4-hands. Pages: VIII and 104. Piano Reduction-paper bound. Published by G. Henle.

By Franz Joseph Haydn (1732-1809), edited by S. Gerlach. Set of parts for cello and piano. Piano Reduction-paper bound. 46 pages. Published by G. Henle.

Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited by Jonathan Del Mar. For Cello Solo, piano. Piano Reduction/Vocal Score; Urtext Edition. Op. 85. Duration 25'. Published by Baerenreiter-Ausgaben (German import). (BA9040 90)

Hob. XVIII:11 - Piano Reduction. By Franz Joseph Haydn. Edited by Bettina Wackernagel. Piano reduction by Sonja Gerlach. 2 Pianos, 4-hands. Pages: IV and 46. Piano Reduction-paper bound. Published by G. Henle.

By Sergei Prokofiev. Two pianos, four hands (contains one copy only). Published by International Music Co.

with original Cadanzas by Beethoven - Piano Reduction. By Ludwig van Beethoven. Edited by Hans-Werner Kuthen. Piano reduction by Hans Kann. 2 Pianos, 4-hands. Pages: VIII and 72. Piano Reduction-paper bound. Published by G. Henle.

Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz Joseph Haydn. Edited by S. Zorzor. Violin. Pages: Score = V and 19 * Vl Part = 12. Piano Reduction-paper bound. Published by G. Henle.

By Ralph Vaughan Williams (1872-1958). Arranged by David Matthews. For Tuba and piano. This edition: Second edition. Tuba. Pieces and Studies. Piano reduction. 36 pages. Duration 13'. Published by Oxford University Press

Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz Joseph Haydn. Edited by S. Zorzor, H. Lohmann. Violin. Pages: Score = IV and 22 * Vl Part = 12. Piano Reduction-paper bound. Published by G. Henle.

By Johannes Brahms. Edited by Brown, Clive. For Violin Solo, piano. Piano Reduction/Vocal Score; Urtext Edition. Op. 77. Published by Baerenreiter-Ausgaben (German import). (BA9049 90)

with a Cadenza by R. Friedrich - with Parts in E-flat and B-flat - Piano Reduction. By Franz Joseph Haydn. Edited by S. Zorzor. Trumpet. Pages: Score = IV and 24 * 2 Tr Parts in B-flat and E-flat = 7 each. Piano Reduction-paper bound. Published by G. Henle.

The Orchestra Musician's CD-ROM Library - Trumpet. Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

By Franz Joseph Haydn. Two pianos, four hands (Set contains one copy). Published by International Music Co.

For Flute or Violin and Piano Accompaniment. Composed by Camille Saint-Saens (1835-1921). Editions Durand. Classical. Softcover. 16 pages. Editions Durand #DF16365. Published by Editions Durand (HL.50565862).

By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. For Piano/Violin/Violoncello (Solo Piano/Solo Violin/Solo Violoncello/Flute/2 Oboes/2 Clarinets/2 Bassoons/2 Horns/2 Clarions/Timpani/2 Violins/Viola/Violoncello/Contrabass). This editi…

Composed by Richard Strauss (1864-1949). Set of performance parts for french horn (in F) and piano. With solo part and piano reduction. 24 pages. Published by G. Schirmer, Inc.

With Cadenzas and Lead-ins - for Violin and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by W.-D. Seiffert. Violin. Pages: Score = III and 25 * Vl Part = 11. Urtext edition (Paper-bound). Published by G. Henle.

For Violin and Orchestra - Piano Reduction - with Comments in English. By Peter Ilyich Tchaikovsky. Edited by P. Vajdman. Violin. Pages: Score: VIII and 60 * Vl Part = 31. Urtext edition (Paper-bound). Published by G. Henle.

For Flute and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Piano reduction by Siegfried Petrenz. Cadenza by Robert Levin. Flute. Pages: Score = IV and 34 * Fl Part =16. Piano Reduction-paper bound. Published by G. Henle.