| Peter Gregson: Plainchant: String Quartet: Score and Parts Quatuor à cordes: 2 violons, alto, violoncelle Chester
Peter Gregson's Plainchant for String Quartet and Juno Synthesiser. Duration: 4 minutes
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| John Joubert: Reflection On Plainchant Antiphon - In Odorem: SATB: Vocal Score Chorale SATB [Vocal Score] Novello & Co Ltd.
John Joubert's Reflection On Plainchant Antiphon - In Odorem for SATB. Commissioned by ORA100 for Suzi Digby OBE and the singers of ORA. Duration: 3 minutes
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| PLAINCHANT FOR TRUMPET Trompette Carl Fischer
Mr. Gresham, a Professor of Trumpet at Northern Kentucky University for over three decades before retiring in 2009, has fashioned melodious etudes based on the best-known plainchants drawn from the Liber Usualis. The use of these free flowing modal melodies as the basis for etudes that teach development of beautiful sound and the legato style of playing is inspired. Each etude has its own characte…
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| James Weeks: Ave Maris Stella: SSA: Vocal Score Chorale 3 parties SSA [Vocal Score] University Of York Music Press
Composer's Note: I first made an arrangement of this famous plainchant melody (‘Hail Star of the Sea’) for a school choir to sing on tour in St Mark’s Venice; fourteen years later I decided to come back to it as an equally apt choice for Orkney’s great medieval cathedral. A little like Monteverdi’s setting in his 1610 Vespers the six verses alternate betw…
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| Symphony 'Romane', Op. 73 (Organ) Orgue United Music Publishers
Significantly remembered for his Organ works, Charles-Marie Widor 's (1844-1937) renowned Symphony 'Romane' is essential to the repertoire of all passionate organists. Widor became Director of Organ Studies at the Paris Conservatoire in 1890 and soon followed this by taking charge of the composition class. Nicknamed the 'Romane', the Symphony #10 reflects Widor 's mastery of the Organ, exploring a…
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| Aram Il'yich Khachaturian: Concerto Rhapsody Violin/Piano Reduction: Violin: Zen-On
In the 1960s Khachaturian composed a trio of Concerto-Rhapsodies – one for violin one for cello and one for piano. The one for violin dedicated to Leonid Kogan is perhaps the greatest of these. Its baleful orchestral opening seems to take us to the anguished world of the Second Symphony yet it is a surprisingly ‘private’-sounding work both mournful and confessional in tone…
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| Nico Muhly: Marrow: SATB: Vocal Score Chorale SATB [Vocal Score] St Rose Music Publishing
Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm 63 vv.1–3 6–8 Book of Common Prayer (1662). Commissioned by the Netherlands Chamber Choir for the project 150 Psalms to be premiered by the Tallis Scholars during Utrecht Early Music Festival September 1st 2017. Duration: c. 3 minutes. 'Last September in one weekend in Utrecht settings were sung of all …
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| Zoltán Kodály: Gloria: SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] Boosey and Hawkes
from Missa Brevis-Kodály's Missa Brevis was first performed in 1945 just after the end of the Second World War. It is a hymn to hope in the divinity that provides comfort and strength in the most difficult of circumstances. Divided into deliberate sections 'Gloria' opens with a plainchant followed by a chorus fanfare to a solo section at a much slower tempo and ends in a joyful character to th…
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| Dum transisset Sabbatum (I): Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
for SATBarB unaccompanied This famous Easter Respond by John Taverner (d. 1545) scored for SATBarB alternating polyphony and plainchant tells the story of the three women arriving at the empty tomb on Easter morning bringing spices to anoint the body of Jesus.
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| Maurice Duruflé: Ubi Caritas: SATB: Vocal Score Chorale SATB [Vocal Score] Durand
Maurice Duruflé based this famous motet on an ancient plainchant melody. This new adaptation makes the motet more accessible by an intelligent redistribution of parts: in its opening and closing sections the first tenor lineis reassigned to the altos and the alto line is given to the tacet sopranos. All of Duruflé's sumptuous harmonies are retained. For the first time a piano reduction for rehe…
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| John Rutter: Let All Mortal Flesh Keep Silence: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
Let All Mortal Flesh Keep Silence arranged by John Rutter for SATB choir (with divisions) and Organ with optional congregation.Here John Rutter follows Vaughan Williams' precedent in setting this text from the 4th-century Orthodox liturgy of St James of Jerusalem to a French carol melody. The result is a hymn which is by turn haunting and powerful with a modal tonality evoking the sound-world of…
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| Cecilia McDowall: Easter Light: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
With a newly written text by Angier Brock this compelling anthem by Cecilia McDowall is a welcome addition to the traditional Easter repertoire. Easter Light explores a variety of styles and colours from organ solos suggestive of the song of the Eastern meadowlark to a meditative section in the manner of plainchant.
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| Barry Hart: The New Raemoir - Anglican Edition: Mixed Choir: Mixed Songbook Kevin Mayhew
The New Raemoir Communion was inspired by an idyllic retreat in the Scottish countryside and echoes its tranquillity. Celtic folk and plainchant-style melodies have been woven together to create a gentle contemplative piece intended for liturgical use or meditative listening. The Communion may be sung congregationally in unison by mixed voices but also be performed in two parts by female voices…
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| Cecilia McDowall: Vita Mundo: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
A setting of Psalm 127 (Unless the Lord builds the house) this compelling anthem possesses a luminescent quality supported by radiant harmonic textures. It is framed by Latin text taken from the Saxon stone cross at St Paul's Jarrow associated with St Bede and set in quasi-plainchant fashion.
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| Morten Lauridsen: Ubi caritas et amor.: SATB: Vocal Score Chorale SATB SATB, Piano [Vocal Score] Faber Music Limited
Ubi Caritas Et Amor by Morten Lauridson was composed in 1999 for unaccompanied mixed voices and was commissioned by Loyola Marymount University to celebrate the life of choral director and scholar Father Richard Trame. A setting of an antiphon for Maundy Thursday Morten Lauridsen subtly adapts the plainchant melody adorning it with contrapuntal elaborations. This piece is from Faber's Choral …
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| David Hill: Dominus Illuminatio: SATB: Vocal Score Chorale SATB SATB [Vocal Score] Novello & Co Ltd.
A ethereal and atmospheric choral work by David Hill rich in the drones and modal harmonies that characterise traditional folk music and reflect choral music's heritage in the plainchant. Using the full range of the SATB chorus the piece creates a series of overlapping fluid harmonies through long held notes that combine to create a stirring modal tonality.
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| Kerry Andrew: Hevene Quene: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
The composer has combined a single line of Latin 'O virgo splendens' with an earthy late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qualities of the Virgin Mary.Beginning and ending with plainchant-style passages Hevene Quene is by turns restrained sparkling pensive and pleading. Suitable for the Feast of the Blessed Virgin Mary …
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| Philip Moore: Magnificat and Nunc Dimittis (Third Service): Mixed Choir: Vocal Chorale SATB SATB, Orgue Oxford University Press
Paperback-For SATB and organ. A very approachable service setting that alternates plainchant verses for single groups of voices with imitative modal verses for full choir all subtly supported by a simple organ accompaniment.
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| Gabriel Jackson: Oculi Omnium: Mixed Choir: Vocal Score Chorale SATB SATB A Cappella [Vocal Score] Oxford University Press
For SATB unaccompanied.This anthem sets the Oculi omnium gradual to still reflective music. Including sections of plainchant alongside richer textures and close harmonics it is a beautiful piece that will appeal to a range of mixed-voice choirs. A non-singing translation of the words is included.
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| Francis Poulenc: Quatre Petites Prieres De St Francois D'assise: TTBB: Vocal Chorale TTBB TTBB A Cappella [Partition] Salabert
Pour Choeur D'Hommes A Cappella-Scored for a cappella men’s choir (TTBB) Poulenc’s Quatre Petites Prieres de St Francois d’Assise were composed for and dedicated to the monastery choir at Champfleury (and in particular a certain monk there named Frere Jerome who happened to be the composer’s great-nephew).With the use of archaic textures of plainchant and Poulenc’s own harmonic colour…
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| David Bednall: Tota pulchra es: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
David Bednall's Tota Pulchra Es for SSATB unaccompanied. This simple and exquisite miniature keeps the text the fourth-century Latin Hymn to the Virgin Mary at the fore with instructions from the composer to accent the melodic lines according to word stress rather than position in the bar. The musical style is a fusion of old and new with plainchant-like melodies and tonality set against expre…
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| César Franck: Panis Angelicus - Voice/Piano: Voice: Vocal Work Voix haute, Piano [Partition] Peters
Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of …
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| Gabriel Jackson: In The Beginning Was The Word: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
For SATB (with divisions) and Organ.Commissioned by the choir of Merton College Oxford In the beginning was the Word provides a welcome musical setting of this iconic biblical text. The choral lines combine plainchant with harmonically intricate passages and all is complemented by a soloistic organ part. Suitable for use throughout the church year.
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| Eric Whitacre: Sainte-Chapelle: Mixed Choir a Cappella: Vocal Score Chorale SATB [Vocal Score] Hal Leonard
Eric Whitacre's work Sainte-Chapelle was written for the Tallis Scholars and inspired by the medieval Parisian chapel. It depicts that stained glass masterpiece through sustained plainchant-like lines which gradually divide into more and more parts creating shimmering tone clusters for a rich and expressive outpouring of sound.
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| Gabriel Jackson: Angeli Archangeli: Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
Commemorating the martyrdom of St Catharine this reflective piece sets the Antiphon at First Vespers Feast of All Saints alongside a thought-provoking contemporary poem by Colin Tan full of vivid imagery. Melodic lines reminiscent of plainchant enhance the contemplative mood.
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| Ed Hughes: Summer Light: Classical Guitar: Instrumental Album University Of York Music Press
Summer Light for solo guitar (2012) is in three short contrasting movements. There are references to plainchant in the first piece. The final piece is a toccata in which a flexible approach to tempo is encouraged. The work was written for Paul Norman and dedicated to Jonathan Harvey. It was commissioned by the Park Lane Group Young Artists Series for January 2013.Listen to a recording of the work …
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| Bruce Cole: Composers Handbook: Reference Schott
Anyone who can pick up a pencil can draw. Anyone who can sing or play an instrument can compose. The Composer's Handbook is a step-by-step guide to the composition of melody harmony form and texture and covers styles and techniques from plainchant to minimalism rock and rave.- for composers aged 11-18 - games and groupwork for the beginner - projects for the more advanced - illustrations and wo…
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