Par DE HAAN JACOB. Originally Cornfield Rock was written by Jacob de Haan as a version for male choir. It was based on a text by William Shakespeare on a melody of Thomas Morley (It was a lover and his lass). The original melody however was abandoned completely and in its place Jacob de Haan created a new one in rock style. The title refers to the text: That o’re the green corne fields did passe. …

Par MASHIMA TOSHIO. Toshio Mashima composed this work for the 40th anniversary of the concert band of the Kwansei-Gakuin University in Japan. The composition is based on the biblical story of the patriarch Jacob, who in a dream sees a ladder reaching into the sky. This story or its symbolism has inspired many artists - the rungs of the ladder representing the virtues through which man climbs durin…

Syncretic Version. Par LISZT FRANZ. In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without a…

Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach 's St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas's Church, Leipzig, in a version of which the copy made by Bach 's son-in-law Johann Christoph Altnic…

Hob Xxii 11 Nelson Mass Soft-Cover Score. Par HAYDN FRANZ JOSEF. Haydn's Missa in Angustiis, also known as the 'Nelson Mass', was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with 'The Creation' and 'The Seasons'. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale c…

Percussionists must learn both the rudiments and the scales. This piece provides the wind players some exposure to the rudiments. 'Paradiddles' creates patterns played by the winds that mimic two types of paradiddles---the single paradiddle and the double paradiddle. This may be the first piece for concert band inspired by, and based on, percussion rudiments. (5:50) / Concert Band

Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into …

Par SCARLATTI / GILBERT. The third volume of this series of 12 Sonatas, this book contains the Sonatas K. 104 to K. 155. Composed by Domenico Scarlatti, this edition by the harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatric…