In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edit…

Classic Hits pour 2 flûtesEdité par Elisabeth Weinzierl et Edmund WächterCette édition comporte un grand nombre de mélodies classiques et romantiques dans des arrangements pour deux flûtes.La sélection des pièces romantiques comprend, entre autres, des oeuvres de Ernesto Köhler, Louis Drouet, Wilhelm Popp, Anton Bernhard Fürstenau.Le cas échéant, les travaux ont été transformés en une touche plus …

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities…

The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instrume…

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocal…

Ten hit songs from top West End musicals including Big Spender (Sweet Charity), I know Him So Well (Chess) and Somewhere (West Side Story). All tracks are in melody line arrangements for Clarinet, by Jack Long. Also included is a CD of specially recorded backing tracks to play along with. / Flûte Traversière

Austin Boothroyd has confronted the problem of keeping the beginner interested from Lesson One. The twelve pieces in Up We Go enable the trumpet student to experience the satisfaction of ensemble performance with only a limited number of notes. As security increases, so the progressively more difficult pieces will be found to complement the vital technical practice between lessons. / Trompette