Par HAYDN JOSEPH. Playing 4-hand duets at one keyboard is extraordinarily enjoyable and rewarding means of music-making, there in your parlour, domestic and intimate, at every level technically, from beginners to the most accomplished players. The repertoire of original compositions embraces gems by Bizet, Chabrier, Faure, Debussy, Ravel; Brahms Waltzes and Dvorak’s Slavonic Dances, Percy Grainger…

Par HAYDN JOSEPH. The culture of piano-duet arrangements begins in the early-to-mid nineteenth century, the great epoch of domestic bourgeois music-making, with its easy availability of decent instruments for every front parlour or gilded salon. All the way from the Wittgenstein Palace in Vienna with its eight grand pianos, to the uprights in the suburban best-rooms of Europe and beyond; and above…

The early music specialist and harpsichordist, Robin Bigwood presents the first in a series of four volumes dedicated to keyboard music from the Baroque period. Featuring a variety of interesting solo pieces, this collection includes works by well-known figures as well as lesser-known and rarely available pieces from a range of composers.Suitable for students of ca.2-3 years of playing experience,…

Cette série en trois volumes inspirant vous apprend à jouer de la batterie avec soin en utilisant battements sélectionnés et remplit de chansons à succès que la musique moderne en forme. Niveau 3 vous apprend à jouer avec plus de 30 pays authentique, funk, reggae, latin, et battements de jazz et remplit par des batteurs légendaires, y compris Carlton Barrett (Bob Marley), Joseph 'Zigaboo' Modélist…

Cette source d'inspiration en trois volumes, la série didactique vous apprend à jouer de la batterie en utilisant soigneusement sélectionnés battements et se remplit de chansons à succès que la musique forme moderne. Niveau 3 vous apprend à jouer avec plus de 30 pays authentique, funk, reggae, latin, jazz et rythmes et remplit par des batteurs légendaires tels Carlton Barrett (Bob Marley), Joseph …

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tziga…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…