for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Step into the spotlight along with the superb backing tracks on the specially recorded CD. On the CD: Hear the full performance versions of the songs from the songs from tracks 1-10 on disc 1. The instrumental part is then omitted from tracks 2-11 of disc 2 to enable you to play along woth the recorded accompaniment. In the book: Top line arrangements of all the songs plus instrumental fingering g…

for String Quartet. Par BAKER CLAUDE. A VOICE PASSES provides musical commentary on three haiku by the 19th-century poet Masaoka Shiki and one by the legendary master he most admired, Yosa Buson. Stricken with tuberculosis and addicted to morphine in the later years of his short life, Shiki wrote a large number of haiku that dealt with the pain and suffering caused by his illness. Of these, many w…

(2 Sopranos, 2 Contraltos avec Accompagnement d'Orgue). Par SAINT-SAENS CAMILLE. / Répertoire / Chant et Piano

Weihnachtskantate. Par SCHMELZER JOHANN HEINRICH. With this pastoral Christmas cantata by the long-serving Royal Hofkapellmeister of Vienna, Johann Heinrich Schmelzer, we wish to draw attention to a prominent baroque composer whose vocal and instrumental works have yet to achieve their historical place in the “early music scene“ which they richly deserve. Schmelzer’s easily performable pastoral mu…

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique abilit…