Farewell to St. Petersburg. Par BRYARS GAVIN. This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bas…

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry. This SSA arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment. / Choeur De Femmes (SS…

for bass and piano. Par GERVASONI STEFANO. Langue: Deutsch / Niveau : Intermédiaire / Répertoire / Basse et Piano

Par NORTON CHRISTOPHER. Songs from the Micromusicals Grade 4 Low Voice - the songs in this volume are from the Micromusicals series, which includes nearly 30 musicals. Apart from the fact that they are wonderfully attractive songs, the appeal of these Songs from the Micromusicals comes from their range of subject matter. Good music that has a link to the school curriculum - welcome to the world o…

In spring 1827 Schubert performed the first part of his best-known song cycle ' Winterreise ' for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller's volume ' Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten ' of 1824. As a result, he set…

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless bril…

In 80 bars around the world â?? without any men'! Does that work' Yes, it does â?? and it sounds superb. This Women´s Choirbook provides a rich fund of well-known tunes from different countries and in different styles, ranging from swing, soul and groovy tunes to melodious ballads. The new arrangements are modern and charming and can be used in various ways and contexts: Apart from the 3-4 female…

/ Voix Basses

for countertenor (or alto, or bass baritone) and piano. Par GERVASONI STEFANO. German / Niveau : Intermédiaire / Répertoire / Tenor et Piano

By William Byrd (1540-1623). Arranged by Russell L. Robinson. For Soprano, Alto, Bass, Optional Keyboard. Octavo. 8 pages. Duration 1 minute, 45 seconds. Published by Carl Fischer

(Concerto for Percussion and Orchestra). By Steven Stucky (1949-). Orchestra. For 3 Flutes (2 and 3 Also Piccolo; 3 Also Alto Flute), 3 Oboes (3 Also English Horn), 3 Clarinets in Bb (3 Also Bass Clarinet), 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in C (1 Also Piccolo …

(Opera in tre atti). By George Frideric Handel (1685-1759). Edited by Fiona McLauchlan. Arranged by Andreas Kohs. For 2 soprano voice solos/mezzo soprano voice solo/2 alto voice solos/bass voice solo/2 oboes/3 violins/viola/basses (cello/contrabass/bassoon/harpsichord/archlute). …

(An Opera in Eight Scenes). By Paul Moravec. For Voices & Piano (Cast: Soprano, Mezzo-Soprano, 3 Tenors, Baritone, Bass-Baritone). Opera. Vocal Score. Composed 2009. Duration ca. 90'. Published by Subito Music Corporation

By Bob Chilcott. For Chorus, chamber choir, children's choir or large divisi chorus and orchestra and organ/brass ensemble and organ (Orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 2 trombones, tuba, timpani, 2 percussion, organ (optional), strings, …

By Thomas Tallis (1505-1585). Arranged by Kenneth Brown. For 2, 3, 4, or 5 equal voices with chamber orchestra or organ & strings (flute, oboe, bassoon, horn, 2 trumpets, 2 trombones, timpani, piano, strings; OR organ, strings). Mixed Voices. Christmas, Choral Leaflet. Vocal scor…

By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Amadeus Mozart. Arranged by Alois Schmitt. For Solo voices, Choir / Piano (Chorus and piano). Classical; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1783/1901. 148 pages. Duration 76 minutes. Published by Se…

By C. P. E. Bach. Edited by Darvas. For SATB voice soli, SATB Choir, [2.2.0.1-2.3.0.0], Timpani, Strings, Basso Continuo. Choral. Full score. Published by Edition Kunzelmann

(Kantate zum 3. Sonntag nach Trinitatis). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klaus Hofmann / Paul Horn. For Soli SS (Alto o Baritone voice), SS[B] choir, 2 violins, [viola], cello, basso continuo. This edition: paperbound. TVWV 1:1550. Sco…

By George Frideric Handel (1685-1759). Edited by Gerald Hendrie. Vocal soli, mixed choir, orchestra. For soprano voice solo/tenor voice solo/tenor voice solo/SATTB choir/recorder1/recorder2/oboe/strings/basso continuo. This edition: Urtext edition. Level 3. Score (paperbound). HW…

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. This edition: paperbound. BWV 84. Full score available separately -…

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. This edition: paperbound. BWV 84. Genres: Cantatas; Stuttgart Urtex…

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genr…

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genr…

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genr…

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genr…

By Attilio Ariosti (1666-1729). Edited by der Akademie fur historische Auffuhrungspraxis Berlin e.. Vocal and instrumental ensemble. For 4 voices, 2 flutes, 2 oboes, bassoon, 2 violins, viola, harpsichord, basso continuo. Elisabeth Musiquen Band 3. First edition. Opera. Score. Pu…

(fur Gesang und Toypiano (Bassklarinette ad lib.)). By Dietmar Bonnen. For F# voice, toy piano (bass-clarinet ad lib.). Grade 3 (Medium). Score and Parts. Published by Verlag Dohr

By P.D.Q. Bach. Edited by Professor Peter Schickele. Mixed chorus. For SAB Choir, Tenors May Be Divided Between the Alto and Bass Parts. Using Solo Voices, the Piece May Be Performed STB.. Choral. Performance score. Standard notation. Composed NOVEMBER 13 2001. 8 pages. Duration …

(En Sus Alas). By Michael Joncas. Arranged by Lloyd Larson. Orchestra. For 2 flutes, oboe, 2 clarinets, 2 bassoons, 3 trumpets, 2 Horns, 2 trombones, tuba, 2 percussion, harp, violin 1 and 2, viola, cello, bass. Sacred Anthem: General, Lent, Memorial, Wedding. Orchestral Score an…