The composer Rudolf Kelterborn about his work: 'I call the ten compositions for female voice and piano 'DUOS' because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways. In the vocal part there are several variants, and this makes them accessible for different types of voice. The 10 duos do not form a complete cycle that can b…

Easy Operatic Arias and Operetta Excerpts for Male Voice. Par . A Panorama of Arias contains a selection of arias from operas, operettas, and oratorical works of the 17th to 19th centuries in original language for those studying singing at beginner and intermediate levels. All arias have new, easy-to-play piano reductions, and some of them even include excerpts from recitatives. The sheet music co…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

Vesperpsalm. Par HASSE JOHANN ADOLF. The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl’Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arr…

An exceptionally wide-ranging selection of 22 of the best audition songs for female voices. From Jazz and Soul to Pop, Rock and R'n'B, this collection has something to suit every occasion, whether you are auditioning for a band or a stage production, or impressing the judges at a competition. Each song has been carefully identified with the relevant vocal range, so you can tell at a glance which s…

(For Two-Part Treble Voices with Keyboard and Optional Percussion). By Deke Moffit. Arranged by Debbie Cavalier. Female chorus. For Mixed Chorus, Keyboard, Percussion, Hi-Hat, Snare Drum, Bass Drum. Carl Fischer Performance Series for Chorus. Classical. Piano reduction/vocal scor…

By Traditional. Arranged by Kenneth Amis. Brass Quintet with 3 Guitars and Voice. For 2 trumpets, french horn, trombone, tuba, 2 guitars, bass guitar, female voices (organ may be used in lieu of 3 guitars) (one or more female voices). This edition: Vocal part. As recorded by the …

(For Two-Part Treble Voices with Keyboard Accompaniment). By Anonymous. Arranged by David Eddleman. Female chorus. For SA, Keyboard. Choral. Piano reduction/vocal score. Standard notation. 8 pages. Published by Carl Fischer

By Traditional. Arranged by Kenneth Amis. Brass Quintet with 3 Guitars and Voice. For 2 trumpets, french horn, trombone, tuba, 2 guitars, bass guitar, female voices (organ may be used in lieu of 3 guitars). As recorded by the Empire Brass. Christmas. Full score and set of parts. …

(Two-Part Treble Voices with Keyboard and Optional Rhythm Accompaniment CD). By David Eddleman. Female chorus. For SA, Keyboard. Choral part(s). Standard notation. 12 pages. Published by Carl Fischer

(Two-Part Treble Voices with Keyboard and Optional Rhythm Accompaniment CD). By Carl Strommen. Female chorus. For SA, Keyboard. Choral. Choral part(s). Standard notation. 7 pages. Published by Carl Fischer

By Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For Duets soprano/tenor. First Publication. Level: intermediate. Full score. Published by Furore-Verlag (German import).

By Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For Duets a cappella. First Publication. Level: intermediate. Full score. Published by Furore-Verlag (German import).

Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For soprano/soprano with piano. First Publication. Level: intermediate. Full score. Composed 1837/38/39. Published by Furore-Verlag (German import).

Fanny Mendelssohn Hensel. Edited by Willi Gundlach. For soprano/soprano (alto) with piano. First Publication. Level: intermediate. Full score. Composed 1829/36/40. Published by Furore-Verlag (German import).

For Male or Female Voice. Fast Track Music Instruction. Softcover Audio Online. Size 9x12 inches. 48 pages. Published by Hal Leonard.

A Baroque Burlesque in Two Acts(Eng). Score. By Charles Wuorinen. For 3 soprano, alto, 2 tenor, baritone, bass, female speaking voice soli, 2 (piccolo) 2 (english horn) 2 (bass clarinet) 2 (contrabassoon) 2221 percussion (3), piano, harp, strings. This edition: score. Photoprint …

For Female Voice and Piano. By Bernard Rands. Schott. 16 pages. Published by Helicon.

Score, ad lib. Flutes and string orchestra. By Walther Schneider. Arranged by . For Female voice choir (SSA), 2 Flutes, String orchestra. Published by Tonos (German import).

Vol. 2 A. By Jacques Offenbach. For Female Voice, Piano. Published by Lemoine.

For Male or Female Voice. Performed by Various Artists. Fast Track Music Instruction. Softcover with CD. Size 9x12 inches. 24 pages. Published by Hal Leonard.

Composed by Emile Paladilhe (1844-1926). Edited by Hugh Chandler. National/Emerson Fred Bock. Concert, Contest, Female Voices, Festival, French, Romantic. Octavo. 8 pages. National Music Publishers #NM1014. Published by National Music Publishers

From The King and I. Composed by Richard Rodgers. Arranged by John Leavitt. Voices Together. Broadway, Children, Inspirational, Musicals. Octavo. 12 pages. Published by Hal Leonard

(For Two-Part Treble Voices with Keyboard Adn Optional Flute and Percussion). By Anonymous. Arranged by Patrick M. Liebergen. Female chorus. For Mixed Chorus, Flute, Keyboard, Percussion. Choral. Piano/Vocal Score. Standard notation. 12 pages

Instruction by Rose Coppola. Instructional video: DVD and two accompaniment CDs for voice. Published by Alfred Publishing.