Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Tonalité : Es-Dur -. Par MENDELSSOHN-BARTHOLDY FELIX. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Messe / Répertoire / Solistes SSATB, Choeur SATB, 2 Flûtes Traversières

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

By Janice Kapp Perry. Arranged by Donald H. Ripplinger. For SSATB Choir. Medium / Medium-Difficult (accompaniment). Duration 2:30

Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen / Lehmann, Karen. For Soli SBar, SSATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, 2 Cellos, Contrabass. Full score available separately - see item CA.40189…

Beatus vir. By Antonio Vivaldi. For Soli SSATBB, SATB/SATB Choir 2 Oboes, 2 String Orchestras (je 2 Violins, Viola, Cello/Contrabass, Organ). RV 597. Full score available separately - see item CA.4001200. Psalms, Latin; Stuttgart Urtext editions; Occasions: Confirmation, Psalms. …

By Martin Langreder. Edited by Ruhland, Konrad. For SSATBB Choir. This edition: paperbound. Magnificat; Coppenrath Series: Music of Eastern Bavaria. Level 2. Score. Language: Latin. 20 pages. Duration 10 min

By George Frideric Handel (1685-1759). Edited by Anette Landgraf. For Soprano Solo 1, Soprano Solo 2, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir (SSATB), Oboe 1, Oboe 2, Bassoon, Strings, Basso Continuo. Score; Urtext Edition (paperbound). HWV 264

(aus: Symphoniae Sacrae III). By Heinrich Schutz (1585-1672). Edited by Paul Horn. Arranged by Paul Horn. For SSATB Favorit-Chor (Antiphonal/Chamber Choir), 2 Violins, Bassoon, MsInstruments, AltInstruments, Contrabass, Organ. SWV 412 (op. 12 no. 15). Full score available separat…

(aus: Symphoniae Sacrae III). By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir, 2 Violins, Contrabass, Organ. SWV 410 (op. 12 no. 13). Full score available separately - see item CA.2041000. Stuttgart Urtext editions; Use during ch…

By Anonymous / arr. Andersen. Arranged by Ann Kapp Andersen. For SSATTBB Choir and 2 pianos, 4-hands. Medium Difficult (accompaniment). Duration 5:00

By George Frideric Handel. For Solo Soprano, Choir SSATB, 2 Oboes, 2 Violins, 2 Violas, Basso continuo. HWV 237. Cantatas; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Score. Language: Latin. 40 pages. Duration …

(aus: Symphoniae Sacrae III). By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir, 2 Violins, Contrabass, Organ. SWV 410 (op. 12 no. 13). Full score available separately - see item CA.2041000. Stuttgart Urtext editions; Use during ch…

(aus: Geistliche Chormusik). By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir. SWV 371 (op. 11 no. 3). Full score available separately - see item CA.2037100. Sacred, Motets; Stuttgart Urtext editions; Occasions: Peace and Justice;…

By Dietrich Buxtehude (1637-1707) and Anonymous. Edited by Graulich, Gunter. Arranged by Paul Horn. For Bass Solo, SSATB Choir, 2 Violins, Basso continuo [2 Violas, Cello]. Full score available separately - see item CA.3600500. Magnificat; Occasions: Feasts of the Blessed Virgin …

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Todd, R. Larry. For SSATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello/Contrabass. Full score available separately - see item CA.4048200. Mass Sections; …

By A. Laurence Lyon (1934-2006). For SSATB Choir. Medium Difficullt. Duration 2:45

By Charles Thatcher. For Full Score: SSATB choir, 2 trumpets, organ, optional congregation. St. Louis Cathedral. General. Medium-Easy

By Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. For SSATB Choir, 2 Clarinos/Trumpets, 2 Violins, 2 Violas, Violone, Basso continuo. Full score available separately - see item CA.3530600. Mass Sections. Level 4. Part: Violin 2. Language: Latin…

By George F Root. Arranged by Douglas Pew. For SSATBB Choir. Easy. Duration 2:50

By Marco Gioseppe Peranda. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. For SSATB Choir, 2 Clarinos/Trumpets, 2 Violins, 2 Violas, Violone, Basso continuo. Full score available separately - see item CA.3530600. Mass Sections. Level 4. Part: Violin 1. Language: Latin…

(Wacht! Euch zum Streit gefasset macht). By Dietrich Buxtehude (1637-1707). Edited by Ton Koopman. For Soli SSSATB, Choir SSATB, 2 Violins, 2 Violas, Basso continuo, [2 Trombones]. Anh. 3. Full score available separately - see item CA.3601900. Oratorios. Part: Viola 2. Language: …

By J. P. Sweelinck. Arranged by John Rutter. For SSATB choir, a cappella/with ensemble (Instrument 1 in C or Bb, Instrument 2 in C or Bb, Instrument 3 shown in alto and tenor clef, and for Horn in F, Instrument 4 shown in tenor and bass clef), Instrument 5 in bass clef, continuo …