Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Tonalité : Es-Dur -. Par MENDELSSOHN-BARTHOLDY FELIX. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Messe / Répertoire / Solistes SSATB, Choeur SATB, 2 Flûtes Traversières

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

S.S.A.T.B.B., with Optional Wood Block and Bongo Drums. By Ronald Kauffmann. Text: Ronald E. Kauffmann. Mixed choir. For SSATBB Chorus, Wood Block, Bongos. Choral. Piano/Vocal Score. 8 pages. Duration 2:45. Published by Theodore Presser Company.

By Dietrich Buxtehude (1637-1707) and Anonymous. Edited by Graulich, Gunter. Arranged by Paul Horn. For Bass Solo, SSATB Choir, 2 Violins, Basso continuo [2 Violas, Cello]. This edition: paperbound. Magnificat; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the …

No. 2 of Three Motets. By Knut Nystedt. For SSATB choir. General. Augsburg Choral Library. Anthem. Published by Augsburg Fortress.

(Oratorium in 3 Teilen (englisch/deutsch). Urtext der Hallischen Handel-Ausgabe - Oratorio in three Parts (english/german)) By George Frideric Handel (1685-1759), edited by John Tobin. Score; Urtext Edition; Complete Edition (cloth bound) for soprano solo, 2 alto solo, tenor solo…

By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bass Soli, SSATB Chorus, Piano. Baroque, Sacred, Choral. Sheet Music. 204 pages. Published by Novello and Co Ltd.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: La…

Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo. Score available separately - see item CA.5523200. Latin Psalms. Violin 2 part. Language: Latin. Composed 1707. HWV 232. 16 p…

Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo. Score available separately - see item CA.5523200. Latin Psalms. Cello/double bass part. Language: Latin. Composed 1707. HWV …

Composed by George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For SSATB vocal soli, SSATB choir, 2 violin, 2 viola, cello, basso continuo. Score available separately - see item CA.5523200. Latin Psalms. Violin 1 part. Language: Latin. Composed 1707. HWV 232. 16 p…

By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. Stuttgart Urtext Edition. German title: Dettinger Te Deum. Praise and thanks. Study scor

(Heiligmesse). By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For Soli SSATBB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Clarinos/Trumpets, Timpani, 2 Violins, Viola, Basso continuo, [2 Horns]. This edition: Paperbound. Stuttgart Urtext. Vocal Score. Masses, L…

By Johann Pachelbel (1653-1706). Edited by Dietrich Kruger. For SSATB Choir, 2 Oboes, 3 Violins, 2 Violas, Violone (Bassoon), Basso continuo. German title: Jauchzet dem Herrn, alle Welt. Cantatas, Psalms, German, Whitsun Praise and thanks. Choral score. L choral score Cantatas, P…

(Cantata for Easter). By Dietrich Buxtehude (1637-1707). Edited by Traugott Fedtke. For 2 soprano voice solos, alto voice solo, tenor voice solo, bass voice solo, SSATB choir (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSATB/2 Trumpets/Timpani/Strings). Stapled. …

By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo (2 trumpets, violin 1, violin 2, viola, cello, double bass, organ, theorbo (optional)). Mixed Voices. Classic Choral Works. Standard Choral Works. Vocal score.…

By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli SSATB, Choir SSATB, 2 Violin, 2 Viola, Cello, Basso Continuo. This edition: Paperbound. German title: Dixit Dominus (Psalm 109). Psalms, Latin. Full score. Language: Latin. Composed 1707. HWV 232. 96 p…

By Roxanna Panufnik. For SSAATTBB choir, cello. Modern, Choral. Sheet Music. Published by Edition Peters