Arr. Henk Hogestein. Par MOZART WOLFGANG AMADEUS. Salzburg, die bezaubernde österreichische Stadt an der Salzach verdankt ihre Berühmtheit vor allem den jährlich stattfindenden Salzburger Festspielen. Charming Salzburg basiert auf einem Thema aus der Zauberflöte, der letzten Oper von Mozart, die von vielen auch für seine beste gehalten wird. Henk Hogesteins Bearbeitung ist somit eine charmante Hul…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

(29 original pieces on hymns for Easter and Ascension). Edited by Rebecca Groom te Velde and David Blackwell. For organ solo. Oxford Hymn Settings for Organists. Level B-C (easy - moderately difficult). 72 pages. Published by Oxford University Press

Composed by Arvo Part (1935-). Solo part with piano reduction. With Standard notation. Universal Edition #UE17274. Published by Universal Edition

Fratres by Arvo Part (1935-). For Cello, Piano. Set of parts. Standard notation. Published by Universal Edition

Composed by Carson Cooman (1982-). Sacred, Advent, All Saints' Day, Ascension, Christmas, Eastertide, Epiphany, General, Holy Communion, Holy Week, Lent, Missions, New Year, Pentecost, Patriotic, Reformation, Thanksgiving. Lorenz Publishing Company #70/2013L. Publ…

By Charles Callahan. For organ. Organ Music. Level: Easy/Medium. Published by MorningStar Music Publishers.

By Rebecca Groom te Velde and David Blackwell. For organ. Collection. Published by Oxford University Press

By Franz Schubert (1797-1828). Edited by Walther Durr. For piano. This edition: Paperback, Urtext edition. Performance score, Anthology. Text Language: German/English. 84 pages. Published by Baerenreiter Verlag

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Eduard Reeser. Set of performance parts (includes separate pull-out violin part) for violin and piano. Urtext of the New Mozart Edition. With solo part, piano accompaniment, thematic index and introductory text. 146 pages…

Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE32624. Published by Universal Edition

By Heinrich Ignaz Franz von Biber. Edited by Lebermann. For Viola. (c). Published by C.F. Peters.

For organ: 2-staff. Sacred. Moderately easy. Published by Lorenz Publishing Company

(Ungarische Melodie in D major D 817 -- Allegretto in C minor D 915 -- Drei Klavierstucke D 946). By Franz Schubert (1797-1828). Edited by Walther Durr. For piano. This edition: Urtext edition. Published by Baerenreiter Verlag

Duets Book/2 CDs Pack. Vocal Collection. Songbook and CD accompaniments also available separately (HL.361075 and HL.740239). BOOK W/CD. 168 pages. Published by Hal Leonard.

By Wolfgang Amadeus Mozart. Edited by Ulrich. For piano, 4 hands. Symphony Nos.31(D,Paris,K.297); 33(B|,K.319); 34(C,K.338); Serenade Nos.7(D,Haffner,K.250); 9(D,K.320); Leopold Mozart: Symphony No.12 (G). Published by C.F. Peters.

Editet with additional material from the Salzburg version. By Wolfgang Amadeus Mozart. Edited by Federhofer, Hellmut; Munster, Robert. For Soprano Solo, Oboe (2)/Flute, Horn (2), Strings, Organ. Motetten, Klassik (Motets, Classical). Score; Urtext Edition. KV 165 (158a). Duration…

(Blasersextett). By Leos Janacek (1854-1928). Edited by Jan Dolezal. For Flute (including piccolo) Oboe, Clarinet, Horn, Bassoon, Bass-Clarinet. Study Score (paperbound). Published by Baerenreiter Verlag

By Gerhard Krapf. Organ. Level: 3-staff. Sacred organ. Published by Sacred Music Press.

By Franz Biebl (1906-). Arranged by Mark Jenkins. For Tuba-Euphonium Septet. Chamber music. Published by Potenza Music