Par HOLZMAN ADAM. This book represents nothing less than the magnum opus of a jazz-rock master of synthesizer technique. Creative Synthesizer Technique is a unique addition to the Mel Bay keyboard bookshelf, both for its content and writing style. Holzman begins with an overview of the building blocks of sound as found on most synthesizers and then, through a series of hands-on, 'Try This” project…

Tonalité : C-Dur - Hob. Xxii:8. Par HAYDN FRANZ JOSEF. Haydn gelingt es in der Mariazeller-Messe überzeugend, eine spezifische Synthese herzustellen zwischen den hohen Ansprüchen , autonomer' Kunstmusik einerseits, die in entsprechenden Kompositionstechniken [kontrapunktische Polyphonie, Sonatensatzprinzip z. B. im Vivace des Kyrie] ihren Niederschlag finden, und der ästhetischen Forderung der Zei…

Tonalité : C-Dur - Hob. Xxii:8. Par HAYDN FRANZ JOSEF. Haydn gelingt es in der Mariazeller-Messe überzeugend, eine spezifische Synthese herzustellen zwischen den hohen Ansprüchen , autonomer' Kunstmusik einerseits, die in entsprechenden Kompositionstechniken [kontrapunktische Polyphonie, Sonatensatzprinzip z. B. im Vivace des Kyrie] ihren Niederschlag finden, und der ästhetischen Forderung der Zei…

Tonalité : C-Dur - Hob. Xxii:8. Par HAYDN FRANZ JOSEF. Haydn gelingt es in der Mariazeller-Messe überzeugend, eine spezifische Synthese herzustellen zwischen den hohen Ansprüchen , autonomer' Kunstmusik einerseits, die in entsprechenden Kompositionstechniken [kontrapunktische Polyphonie, Sonatensatzprinzip z. B. im Vivace des Kyrie] ihren Niederschlag finden, und der ästhetischen Forderung der Zei…

Tonalité : C-Dur - Hob. Xxii:8. Par HAYDN FRANZ JOSEF. Haydn gelingt es in der Mariazeller-Messe überzeugend, eine spezifische Synthese herzustellen zwischen den hohen Ansprüchen , autonomer' Kunstmusik einerseits, die in entsprechenden Kompositionstechniken [kontrapunktische Polyphonie, Sonatensatzprinzip z. B. im Vivace des Kyrie] ihren Niederschlag finden, und der ästhetischen Forderung der Zei…

Tonalité : C-Dur - Hob. Xxii:8. Par HAYDN FRANZ JOSEF. Haydn gelingt es in der Mariazeller-Messe überzeugend, eine spezifische Synthese herzustellen zwischen den hohen Ansprüchen , autonomer' Kunstmusik einerseits, die in entsprechenden Kompositionstechniken [kontrapunktische Polyphonie, Sonatensatzprinzip z. B. im Vivace des Kyrie] ihren Niederschlag finden, und der ästhetischen Forderung der Zei…

Par SCHMITT MATTHIAS / SWOBODA MARIA / BASSEN ACHIM VO. School For Keyboard And Synthesizer/ Recueil / Clavier et Synthétiseur

Par HOSAY JAMES L.. Why not try something different with your concertband? Rough Mix is a poprock tune that incorporates elements of punk and alternative rock. It contains optionalparts for two electric guitars and synthesizer. With or withoutthe optional parts this is a solid and fun arrangementthat will have particular appeal for young musicians and audiences. / Niveau : 2 / Musique légère ori…

Par HOSAY JAMES L.. Why not try something different with your fanfareband? Rough Mix is a poprock tune that incorporates elements of punk and alternative rock. It contains optionalparts for two electric guitars and synthesizer. With or withoutthe optional parts this is a solid and fun arrangementthat will have particular appeal for young musicians and audiences. / Niveau : 2 / Musique légère ori…

By Chris Brooks. For concert percussion ensemble (8-9 players: Xylophone, Vibes, Bells (Optional), Drum Set, Electric Bass, Keyboard/Synthesizer, Cowbell, Tambourine, Vibraslap, Finger Cymbals, (2) Congas). Georgia State Solo and Ensemble List, Virginia State Solo and Ensemble Li…

(For Trombone and Synthesizer (from Flashbacks, for Brass Quintet)). By Michael Colgrass (1932-). For Tenor Solo, Synthesizer. Michael Colgrass Series. Set of performance scores. Standard notation. 11 pages. Duration 6 minutes, 30 seconds. Published by Colgrass Music

(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald. Orchestra. For Flute, Clarinet, 2 Trumpet, Horn, 2 Trombone, Percussion, Piano, Synthesized Strings. Cantata. Choral: Advent. Orchestral Score and Parts. Published by Lorenz Publishing Company

(Featuring ten of the greatest rock and pop classics of all time (Keyboard / Synthesizer)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Keyboard / Synthesizer. Book; Marching Band Collection. Pop/Rock. Grade 2; …

By Jacques Offenbach (1819-1880). Arranged by Sandy Feldstein and Larry Clark. For Alto Saxophone. The Yamaha Advantage Solo Series. Play along. Solo Book with CD

By Keith Getty and Stuart Townend. Arranged by Jack Schrader. For SATB choir and piano accompaniment. (SATB). Contemporary and Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company.

By L. Baily. For 2-Part Mixed Choir with optional Flute or Synthesizer. Choral. Sheet Music. Published by Harold Flammer Music.

For SATB Voices and Solo (Any Voice) with Keyboard (Optional Alto Sax, Tenor Sax, 2 Trumpets, 2 Trombones, Rhythm Section and Synthesizer. By Dottie Rambo. Arranged by Mark Hayes. Text: Dottie Rambo. Mixed chamber ensemble. For Voice Solo, SATB, Piano, Alto Saxophone, Tenor Saxop…

By Henry Mollicone. For Opera. Opera. 268 pages. Published by Ione Press.

By Jean-francois Dandrieu. Arranged by Sandy Feldstein, Larry Clark. For Tenor Sax. The Yamaha Advantage Solo Series. Play along. Level: Intermediate - Level 2. Solo Book with CD. Published by Playintime.

Arranged by Joel Raney. For Handbells. Sacred. Level: Grade 3 . Print Music Single (3-7 octaves with optional handchimes, synth and percussion). 12 pages. Published by Hope Publishing Company.

By Marty Haugen. Text: Marty Haugen. For Chorus, Keyboard accompaniment, Synthesizer, 2 C Instruments, Bass, and Percussion. Music Collection. Includes guitar chord names. Sacred. 128 pages. Published by GIA Publications.

By Wang Chung. By Jack Hues, Nick Feldman, and Peter Wolf. Arranged by Alan Billingsley. Pop Choral Series. Dance, Eighties, Electronica, New Age, Pop, Rock, Show Choir. Octavo. 16 pages. Published by Hal Leonard

By Reynolds. For 2 piano, percussion (2), quadraphonic computer synthesized sound (5 scores needed for performance). Duration ca.22'. Published by C.F. Peters.