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Roger Nichols Recording Method
(A Primer for the 21st Century Audio Engineer). By Roger Nichols. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. 180 pages. Published by Alfred Music Publishing
Publisher : Alfred Publishing

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Roger Nichols Recording Method
Roger Nichols Recording Method sheet music
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Sheet music extract
Song List: Contents Foreword From Roger Nichols Roger's Obsession with All Things Sound Self-Instruction Guide for The Roger Nichols Recording Method How Many Simultaneous Tracks Do I Need? What's My Budget? Do I Prefer a PC or a Mac? Should I Use a Laptop or Desktop? What Computer Audio Interfaces Do I Need? What Computer Hard Drives Do I Need? SATA SSD Firewire 400/800 USB Ethernet Fiber Channel Thunderbolt What Recording Software Will I Use? Should I Consider a Studio-in-a-Box? Do I Need a Mixer? NOW WHAT? Chapter Three: Planning a Recording Session Every Link in the Chain Is As Important As the Ones Before and After It Recording Session Setup Cables Microphones Speakers and Monitoring Console/Recording Device When Recording Overdubs Effects: EQ Effects: Compressors and Limiters Effects: Noise Gates Effects: Delays and Echoes Harmonizers: Octave Dividers, Aural Exciters Comping Tracks Mixing Word Clock Mix Processors Mixing Back to Two Tracks of Multitrack or DAW Premastering Keeping Notes Chapter Four: Noise from Your Electrical Connections Power Quality Receptacle Load Centers Lighting Load Centers AC Harmonics Grounding and Noise Balanced Power to the Rescue Chapter Five: What Is Recording? Sound Waves and Pond Ripples Transducers Chapter Six: My Thoughts on Recording Formats All Recording Methods Break Down to Two Basic Categories Analog Digital Snap, Crackle, and Pop Music Divine Digital Recording Chapter Seven: My Detailed Audio Production Definitions Chapter Eight: Caveat Sampler, Ille Nunquam Cedunt! Chapter Nine: Microphones Condenser, Ribbon, and Dynamic Microphones Microphone Patterns Omnidirectional Cardioid Supercardioid Hypercardioid Microphone Pickup Angle Microphone Performance in the Direct Sound Field Microphone Performance in Reverberant Sound Field The 3:1 Rule Rejection Is Good Standard Distance Exercise 9.1: Recording a Microphone Signal Launch Pro Tools Chapter Ten: Connecting an Audio Source Mbox Features and Connections Set Start Point for Recording Test the Pattern of the Microphone Critical Distance Testing Additional Microphone Types Test the Microphones with Instruments Recording an Acoustic Guitar Chapter Eleven: Recording Formats--Understanding How Digital Audio Works Digital Audio Formats Sample Rate Bit Depth File Format Chapter Twelve: Signal Chain Microphone Level and Instrument Level Amplifiers Speaker Channel Strip Virtual Channel Strip Plug-Ins Chapter Thirteen: Recording Multiple Takes Record The Instrument in Stereo Chapter Fourteen: New Concepts Headphone Mix Gain Structure Recording Alternate Takes Chapter Fifteen: Overdubs Overdubbing Tracks to Existing Material Chapter Sixteen: Punch-In Techniques Recording Modes/Recording Regions Pre-Roll and Post-Roll Destructive/Nondestructive Recording Crossfades Quick Punch Loop Record with Overdubs Practicing Punch-Ins Without Pre-Roll With Pre-Roll With Quick Punch Chapter Seventeen: Editing in a DAW Creative Editing Edits to Clean Up Audio Chapter Eighteen: Mixing The First Taste of Mixing EQ Balance Compression On the Level Reverb: Hello,,, Hello... Hello... Your Work Is Never Done Hidden Tracks Inactive Tracks Basic Levels for Your First Mix Pro Tools Session Files System Upgrades Analog vs. Digital Hard Disk Recording Other Recording Systems Chapter One: Why Learn the Art and Science of Audio and Recording? Chapter Two: Determine Your Recording Needs Will I Sequence or Play Parts Live? Will I Record Everything Directly or with Microphones? How Many Tracks Do I Need? Panning Reverb Sends and Settings Equalization Compressors in the Mix Spend Time Mixing Listening to Other Mixes Make Notes on Your Mixes Chapter Nineteen: Beginning Automation Recording Fader Moves Automating Vocal Levels Chapter Twenty: Your Final Mix Clean Up Your Mix Print to External Recorder Bounce to Disk Burn CD of Final Mix In Conclusion Epilogue - This Is a Service Business About Roger Nichols TV and Film Credits Awards Overview Of Accomplishments Roger Nichols Remembered Roger Nichols Discography Index

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