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GUITAR / FLAMENCO / Sabicas
Sabicas, Volumen 2 - Temas Flamancos
Estudio de Estilo. Composed by Jose Fuente. Carisch - Music Sales. Folk Music. Book with CD. 100 pages. Carisch Edition #CARML3470. Published by Carisch Edition
Arr : Guitar notes and tablatures
Publisher : Carisch
$29.00 - See more - Buy online
Sabicas, Volumen 2 - Temas Flamancos
ISBN 9788850724864. Spanish.

The life and work of Sabicas contradicts the widespread idea that you have to be Andalusian to play flamenco. Sabicas, an exceptional guitarist and composer in the history of flamenco, lived most of his life in America. This long 'exile' explains without doubt why Sabicas was the first flamenco guitarist essentially playing solo concerts. His large concert discography exceeds that of Paco de Lucia and Manolo Sanlucar.

This is one of two volumes that focus on Sabicas varied works. This volume (Temas Flamencos) covers the fundamentals of Bulerias, fandangos, the Siguiriyas, the Soleares etc. The first volume (Temas De Concierto) isfocused on Sabicas works inspired by the Iberian folklore or some marginal forms of flamenco repertoire.



Temas Flamencos, estudio de estilo. Toda la vida y la obra de Sabicas desmiente la idea generalizada de que hay que ser andaluz para tocar flamenco. Sabicas, guitarrista y compositor excepcional en la historia del flamenco era navarro y vivio granparte de su vida en America. Ese largo <> explica, sin lugar a dudas, por que Sabicas fue el primer guitarrista flamenco en tocar esencialmente conciertos solistas. Su nutrida discografia de concertista sobrepasa las de Paco de Lucia y ManoloSanlucar. Para poder abarcar toda la variedad y todo el arte de este compositor, nos parecio imprescindible publicar dos volumenes dentro de nuestra coleccion. El primero (<>) presenta unos toques inspirados del folklore iberico ode unas formas marginales del repertorio flamenco, mientras el segundo y presente volumen (<>) abarca palos fundamentales, tales como las Alegrias, las Bulerias, los Fandangos, las Siguiriyas, las Soleares.
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