Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive fo…

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son.…

from The 12th Room for Solo Piano (2015). Par BOSSO EZIO. Ezio Bosso?s Sonata No. 1 in G minor is a fundamental stage in the journey through his music. It was created while the musician was in that ?unpleasant? room (that of his illness) which sometimes became dark and, when he came out of it, remained inside him and conditioned his body ? his ?twelfth room?. But precisely because, in Ezio?s words…

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Composed by Antonin Dvorak (1841-1904). Henle Study Scores. Study score (paperbound). 56 pages. G. Henle #HN7352. Published by G. Henle (HL.51487352).

By Antonin Dvorak (1841-1904). For cantata (solo voices - soprano, alto, tenor, bass, mixed choir, piano). Vocal music. Czech title: Stabat Mater op. 58. Classical. Piano reduction. Publication language: Czech/German/English/French -- Text Lyrics: Latin. Published by Editio Baere…

Performed by Coheed & Cambria. Guitar Recorded Versions (Authentic note-for-note transcriptions). With notes and tablature. Size 9x12 inches. 173 pages. Published by Hal Leonard.

(Voluntaries (with Pedal)). For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 192 pages. Published by Alfred Music Publishing

By Hal H. Hopson. Edited by Gwyn Michel. Extended choral work (SATB). 64 pages. Published by Alfred Publishing.

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(C Instruments). By Various. Fake Book. Published by Hal Leonard

(Evenings Lit by the Burning Coals) for Piano. By Claude Debussy. Editions Durand. Size 8.75x12 inches. Published by Durand.

By Richard Matteson, Jr. For Fretted. Tune book. Bluegrass. Level: Beginning. Book. Size 8.75x11.75. 248 pages. Published by Mel Bay Publications, Inc.

By Thomas. For SA/TB choir. Sacred. Published by Concordia Publishing House.

Sacred. Lorenz Publishing Company #70/2025L. Published by Lorenz Publishing Company (LO.70-2025L).

Viola. Arranged by William Ryden. Mixed Instruments - Flexible Instrumentation; Solo Small Ensembles; Trio. Sacred Instrumental Ensembles for All. Sacred. Book. 24 pages. Alfred Music #00-EL9765. Published by Alfred Music

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For B-Flat Clarinet, Bass Clarinet. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 352 pages. Published by Hal Leonard.