Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive fo…

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. …

Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son.…

from The 12th Room for Solo Piano (2015). Par BOSSO EZIO. Ezio Bosso?s Sonata No. 1 in G minor is a fundamental stage in the journey through his music. It was created while the musician was in that ?unpleasant? room (that of his illness) which sometimes became dark and, when he came out of it, remained inside him and conditioned his body ? his ?twelfth room?. But precisely because, in Ezio?s words…

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Violin. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Trombone, Baritone B.C., Bassoon, Tuba. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

Guitar Chord Songbook (6 inch. X 9 inch.). By Paul McCartney. Guitar Chord Songbook. Softcover. 152 pages. Published by Hal Leonard.

(From the Renaissance to the Romantic Periods) Compiled and arranged by William Ryden (1939-). Collection for cello/bass. With bowings. Series: Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

(From ST. John Passion). Composed by Heinrich Schutz (1585-1672). Edited by Walter Ehret. For SATB Choir. Classical. Choral part(s). Standard notation. 8 pages. Duration 1 minute, 50 seconds. Theodore Presser Company #312-41419. Published by Theodore Presser Company

(Suffering Servant, Crucified Christ, Risen Redeemer). By Lloyd Larson. Cantatas. Ready to Worship Series. Holy Week, Eastertide, Sacred. Part-dominant rehearsal CDs (reproducible). Published by Lorenz Publishing Company

(Suffering Servant, Crucified Christ, Risen Redeemer). By Lloyd Larson. For SATB choir, piano (with optional orchestration). Cantatas. Ready to Worship Series. Holy Week, Eastertide, Sacred. SATB Score with Performance CD. Published by Lorenz Publishing Company

For organ: 2-staff. Sacred, Ascension, Eastertide, General, Holy Week, Lent. Moderately easy. Published by Lorenz Publishing Company

(Suffering Servant, Crucified Christ, Risen Redeemer). By Lloyd Larson. For SATB choir, piano (with optional orchestration). Cantatas. Ready to Worship. Holy Week, Eastertide. Published by Lorenz Publishing Company

(Voluntaries (without Pedal)). Edited by Alexander Schreiner. For Organ. Book; Organ - Method or Collection; Worship Resources. Alfred's Classic Editions. Sacred. 184 pages. Published by Alfred Music Publishing

By Dennis Alexander. For Piano. Piano Solo. SMP Level 7 (Late Intermediate); NFMC Level: Moderately Difficult Class 3. Sheet. 4 pages. Published by Alfred Music Publishing

For guitar and voice. Format: easy guitar/vocal songbook (simplified arrangements for guitar). With leadsheet notation, strum and pick patterns, chord names and lyrics. Blues. 128 pages. 9x12 inches.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Percussion. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

By Stroope. For SATB choir, piano. Choral octavo. Published by Alliance Music Publications. (AMP 0356)

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Flute, Piccolo. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For B-Flat Trumpet, Baritone T.C. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

By Johann Sebastian / Herman Bach. Edited by Klaus Hofmann. Hymn settings, Mass Sections; Choral Collections, Mixed Choir; Occasions: Peace and Justice, Morning, Midday, Evening; Use during church year: Advent, Special Days, Epiphany, Lent and Passiontide, Holy Week, Easter and E…

By Lee Gwozdz. Organ. Level: 3-staff. Sacred Organ. Published by Unity Music Press.

By Pamela Cooper Bye. For piano/vocal. SongBook. Sacred. Book. 148 pages. Published by Mel Bay Publications, Inc.
Level: Intermediate.