The haunting melody of this traditional tune likely dates to the Middle Ages and was published by British composer Ralph Vaughan Williams in the 1906 English Hymnal. Freely adapted by Johnnie Vinson in this setting for young bands the minor melodyis stated first by low clarinets and horns. The next section introduces an original theme which is then combined with the first melody in the moving f…

What can age yet never grow old, and grip yet always pursue? The very popular Tum Balalaika, a traditional Yiddish riddle song with deep Russian roots, contains the answer: a haunting melody. This arrangement combines that mesmerizing melody with rich harmonies to produce a lushness that will encourage and inspire your students to play with passion and purpose. Beware! It may haunt you all of your…

A driving rhythmic melody is supported by unilateral 'hits' in the lower voices to generate a great deal of intensity in this overture for strings. As the 'momentum' begins to slow your first violin has a brief opportunity to show off some beautiful lyrical playing over pizzicato strings. The haunting melody moves toward a glorious key change before regaining momentum into the opening material. V…

If it wasn't written by Sting this haunting melody could easily be a traditional English folk song. The melody moves through all four women's parts with the background texture changing in each verse ranging from arpeggiated polyphony to warm close harmony.

Opt. Flute-This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush and unexpected for a 16th century piece. The voice writing is straightforward with no surprises; Patrick Liebergen let's the beautiful melody and harmonies speak for themselves. The piano accompaniment is supportive and an optional flute p…

In recent times there has been a surge of interest in the uniquely beautiful song forms of Roma (or 'gypsy?) music. Its variety, richness and influence have won international admiration, even as the Romani people themselves have so often been the victims of misunderstanding, prejudice and repression. The Romani people emerged in Eastern Europe almost a thousand years ago and can trace their origin…

This haunting melody for unison voices is accompanied by piano and flute. The text tells the story of life and longing.

A timely text set to a haunting melody. Ideal for healing services final benedictions or to create pensive moods in concert. Excellent for interfaith services. Based in part on the Priestly Blessing Y'varech'cha. For 2-Part and Keyboard.

I Wonder as I Wander. Already a haunting melody, this setting is even more captivating with the addition of the oboe obbligato. Although piano can always accompany adequately, the use of harp furthers the mystic sonorities. This is a stunning Christmas concert selection of medium difficulty.

Shawnee Press is proud to present this Joyce Eilers arrangement of an American folk tune. Her reputation for writing and arranging quality material for young voices is well known and this piece is another excellent example of herwork. All the Pretty Little Horses is a lovely traditional lullaby with new edited lyrics for a more positive message. Arranged for three-part mixed voices the hauntin…

Arranged by Jeff Funk. Traditional Folk Song. For Choir. (2-part). Choral Octavo. Folk Song. Level: Moderate (grade 3). Choral Octavo. Published by Alfred Publishing.

Composed by John Rutter (1945-). For SATB choir and piano/small orchestra (fl, ob, cl, str). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Vocal score. Duration 4 minutes. Published by Oxford University Press

Composed by Mack Wilberg (1955-). Vocal score. 8 pages. Duration 4 minutes. Published by Oxford University Press (OU.9780193518001).

By Mark Hayes. For SAB choir and piano. Concert. Octavo. Published by Heritage Music Press. (15/2474H)

By Robert D. Vandall. For Piano. This edition: 2 copies included. Piano Duo (Two Pianos, Four Hands). Level: Intermediate. 64 pages. Published by Alfred Publishing.

By Gustav Theodore Holst. Arranged by Dan Forrest. For SATB Choir (Accompaniment: Piano). Dan Forrest Series. Sacred. Medium Adult. Duration 3 min, 30 sec

By Jay Ungar and Molly Mason. For Cello, Piano, Violin, Fiddle, Classical Guitar. Wire bound. Multiple Levels. Book. 82 pages. Published by Mel Bay Publications, Inc

By Craig Courtney. For SATB choir and piano. Sacred: Advent, Christ the King. Octavo. Published by Lorenz Publishing Company

Arranged by Phillip Keveren. For SATB Choir. Sacred, Anthem. Choral octavo. Duration 3'49 . Published by Word Music

By Andy Beck. For Choir. (SAB). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Ruth Elaine Schram. For SATB choir, piano accompaniment. Sacred Anthem. Octavo. Lorenz Publishing Company #10/4643L. Published by Lorenz Publishing Company

By Christoph Willibald von Gluck (1714-1787). Arranged by Greg Anderson. For Piano. This edition: Piano Duets (1 Piano, 4 Hands). Book; Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands). Anderson and Roe Duos and Duets. Classical; Masterwork Arrangement; Recital. Advanced. …

By Ruth Elaine Schram. For SATB choir and piano. Sacred: All Saint's Day, General, Stewardship. Octavo. Published by Lorenz Publishing Company

By Conor Oreilly. For Choir. (SATB). Choral Octavo. Lawson-Gould. Sacred; Secular. Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Hal H. Hopson. For Choir. (Satb). Love, Hymntune and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

By Russell Nagy. For SATB Choir. Sacred Octavos. Octavo. Published by Beckenhorst Press.

For Concert Band. Composed by Maurice Jarre (1924-). Edited by Mark Rogers and Mark Rogers. Arranged by Alfred Reed. Southern Music. Concert. Softcover. Southern Music Company #S947CB. Published by Southern Music Company (HL.172752).